Actor Training

1. stanislavsky’s system: pathways for the actor Sharon Marie Carnicke
2. meyerhold and biomechanics Robert Leach
3. jacques copeau: the quest for sincerity John Rudlin
4. michael chekhov on the technique of acting: ‘was don quixote true to life?’ Franc Chamberlain
5. michel saint-denis: training the complete actor Jane Baldwin
6. the knebel technique: active analysis in practice Sharon Marie Carnicke
7. brecht and actor training: on whose behalf do we act? Peter Thomson
8. joan littlewood Clive Barker
9. strasberg, adler and meisner: method acting David Krasner
10. joseph chaikin and aspects of actor training: possibilities rendered present Dorinda Hulton
11. peter brook: transparency and the invisible network Lorna Marshall and David Williams
12. grotowski’s vision of the actor: the search for contact Lisa Wolford
13. jacques lecoq, monika pagneux and philippe gaulier: training for play, lightness and disobedience Simon Murray
14. training with eugenio barba: acting principles, the pre-expressive and ‘personal temperature’ Ian Watson
15. ariane mnouchkine and the théâtre du soleil: theatricalising history; the theatre as metaphor; the actor as signifier Helen E. Richardson
16. wŁodzimierz staniewski: gardzienice and the naturalised actor Alison Hodge
17. anne bogart and siti company: creating the moment Royd Climenhaga
18. augusto boal and the theatre of the oppressed Frances Babbage

Actor Training expands on Alison Hodge’s highly-acclaimed and best-selling Twentieth Century Actor Training. This exciting second edition radically updates the original book making it even more valuable for any student of the history and practice of actor training. The bibliography is brought right up to date and many chapters are revised. In addition, eight more practitioners are included - and forty more photographs - to create a stunningly comprehensive study.     The practitioners included are: Stella Adler; Eugenio Barba; Augusto Boal; Anne Bogart; Bertolt Brecht; Peter Brook; Michael Chekhov; Joseph Chaikin; Jacques Copeau; Philippe Gaulier; Jerzy Grotowski; Maria Knebel; Jacques Lecoq; Joan Littlewood;Sanford Meisner; Vsevolod Meyerhold; Ariane Mnouchkine; Monika Pagneux; Michel Saint-Denis;Wlodzimierz Staniewski; Konstantin Stanislavsky; Lee Strasberg The historical, cultural and political context of each practitioner’s work is clearly set out by leading experts and accompanied by an incisive and enlightening analysis of the main principles of their training, practical exercises and key productions.   This book is an invaluable introduction to the principles and practice of actor training and its role in shaping modern theatre.